1. Will the Minister provide an update in relation to Creative Wales? OAQ(5)0035(EI)

Yes. Thank you. Work is under way to set up Creative Wales, a body that will back home-grown talent in the creative industries. The success story of the creative industries in Wales is one we want to build on, and we are establishing this new body to drive further growth in the sector.

Thank you for that answer, Cabinet Secretary. The creative industries is one of the fastest-growing sectors in the Welsh economy and has seen a massive increase in employment. Will he indicate whether, and, if so, how, Brexit is likely to affect the Welsh Government’s ongoing commitment to its media investment fund and other production incentives? And will he undertake to work with the UK Government to assess the effect of Brexit on the film and television co-production treaties that allow a producer in one European Union country to access production incentives in other EU countries, and put in place arrangements to prevent the loss of that opportunity to the Welsh economy?

Yes, indeed I will. And the Welsh Government’s ongoing commitment to the media investment fund, and to Pinewood, I’m pleased to say, will not be affected by the EU referendum result. Now, my Creative Europe team is already in discussions with the UK Government and major production houses to maximise the opportunities and to minimise the challenges that leaving the EU creates. Wales has targeted American production houses, and we need to minimise the impact of leaving the EU on the flow of international talent. But also, we need to take advantage of the strong value of the dollar against the pound.

Cabinet Secretary, the arts and creative industries can act as an important driver for thinking differently about solving problems in our communities, and the Art Across the City LOCWS programme in Swansea is a perfect example for regeneration. How does Creative Wales help meet the objectives defined in the Kay Andrews report, especially bringing creatives, public bodies, and communities, closer together to tackle a range of socioeconomic problems? And could it be used to pilot Arts on Prescription, for example?

Yes, absolutely, and the Welsh Labour manifesto did indeed contain a pledge to do exactly that, through the form of a social prescription, alongside the establishment of a Wales well-being bond that seeks to direct funding to those activities that prevent ill-health and help treat people who are suffering particularly mild forms of mental illness. Now, it’s my belief, with regard to the pioneer projects and the work that the Member references that is being recommended by Baroness Kay Andrews, in the form of the pioneer area of work and the Fusion project, that there is a natural link between the creative industries and the arts not just here in Wales, but right across Europe we have good examples of how they interlink and weave together. And I believe that they fully benefit, jointly, from the approach to their development and to the creation of Creative Wales.

Now, my current remit letter to the Arts Council of Wales fully recognises the symbiotic relationship that the arts and the creative industries have, and it commits the Welsh Government and the Arts Council of Wales to develop this area together. I’m also pleased to be able to inform the Member that Dr Phil George, the new Chair of the Arts Council of Wales, has a background in both the creative industries and the arts, and is well positioned, I believe, to drive this agenda forward alongside Welsh Government and the new body, Creative Wales.